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Thank You Jeffrey Brown of PBS News Hour

Stephen Kuusisto to appear on PBS News Hour
Image: Logo of PBS News Hour

Tonight the PBS NewsHour will air a segment about my new book Have Dog, Will TravelThe piece features an interview with Jeffrey Brown whose reporting on literature and poetry is well known to book lovers across the nation. Jeffrey is also a poet whose first collection The News is available from Copper Canyon Press. In our time together we talked about poetry, civil rights, disability culture, dogs for the blind, the field of disability studies, and the power of literature to bring people together around social justice movements. And yes, there’s a lovely dog, Caitlyn, a sweetie pie yellow Labrador from Guiding Eyes for the Blind.

The program airs locally, in Syracuse at 7 PM. Check your local listings.

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Stephen Kuusisto and HarleyABOUT: Stephen Kuusisto is the author of the memoirs Have Dog, Will Travel; Planet of the Blind (a New York Times “Notable Book of the Year”); and Eavesdropping: A Memoir of Blindness and Listening and of the poetry collections Only Bread, Only Light and Letters to Borges. A graduate of the Iowa Writer’s Workshop and a Fulbright Scholar, he has taught at the University of Iowa, Hobart and William Smith Colleges, and Ohio State University. He currently teaches at Syracuse University where he holds a University Professorship in Disability Studies. He is a frequent speaker in the US and abroad. His website is StephenKuusisto.com.

Have Dog, Will Travel: A Poet’s Journey is now available:
Amazon
Prairie Lights
Grammercy Books
Barnes and Noble
IndieBound.org

Have Dog, Will Travel by Stephen Kuusisto

(Photo picturing the cover of Stephen Kuusisto’s new memoir “Have Dog, Will Travel” along with his former guide dogs Nira (top) and Corky, bottom.) Bottom photo by Marion Ettlinger 

Dear Bear

It’s been a year since I had a major heart attack. The surgery was brutal even as it was successful. When I was in intensive care I fell in and out of consciousness. One morning I woke to see a black bear walking past the glass wall separating my room from the external corridor. I asked for strawberries because that’s what the bear would have eaten. I believed in that bear.

Now, one full year has gone by. I’m still discussing things with the bear.

**

I recall Wordsworth:

“Who knows the individual hour in which
His habits were first sown, even as a seed?
Who that shall point as with a wand and say
‘This portion of the river of my mind
Came from yon fountain?’”

**

Two halves of a life were debating, rather bitterly, like unhappy twins. Both had studied the classical methods of confession so were voluble but insincere. Neither half knew how to escape forward. Anyway, it was late in the day when shadows spread across the lawn like symbols of past actions when the transitive life stood between them—one may call her “future pneuma perfect” though it scarcely matters for she can take care of herself.

“What,” she said, “causes you to think the past is definitely settled? Don’t you know it’s changing right now, beneath your feet?” “This is the future of resignation—patience, day-dreams, small plantings…”

**

My bear is F.P.P.—the future pneuma perfect is both in my head and out in front of me.

**

In turn I must ask “what does it mean when I say I’m after something?” And what does forgetting mean while going forward? And what the hell is forward? I’m Karl Jasper on methadone.

**

Once, when I was a college student, on a study abroad trip to the Greek islands, I rented a motor bike because my pals were doing it. Some of them knew I couldn’t see, or at least I imagined they knew, for I while paraded around without asking for help, I was halting and clumsy. But it was the late 70’s: no one had any language for disability and hey, I was an unlikely guy and so were we all. We rented our motorbikes on the island of Santorini—a dark crescent that rises steeply from the sea—it’s all that remains of a larger island that vanished in a volcanic flash in the 16th century BCE.

We rented the motorbikes in Fira from a man who was listening to a football match on the radio and who scarcely noticed us. He didn’t need to see our licenses, only required a credit card and we were off. I followed a boy named Roger who wore a red windbreaker. If I stayed very close I could track his jacket with my left eye. I saw his rectangle of red bobbing up and down. It was the flag in a bullfight. The sharp curves and severe hills of Santorini wound like a lethal high speed ribbon under my wheels. I swayed and dipped but I held that red flag in view, or imagined I did, and unlike my classmates, I saw nothing of the panoramic ocean or cliffside ruins, or pelicans crossing the road on foot.

Thank you Karl Jasper, I think…and thank you Bear.

**
So now I’m old and I still don’t know what its about. “It” which can be attached to the possessive but can also stay bound in itself like Hamlet’s nutshell.

Once, (again) on a trip to China with multiple artists, I was the only one to hit a ceremonial bell by throwing a coin.

Thank you Karl and Bear.

**

We children hid among trees and watched the old woman who we’d been told “had a lobotomy”and we saw her as a witch. We dug into our foxhole. She came out of her trailer home and swept her garden path with a broom. We were speechless, ambiguous little creatures in the presence of nameless adult suffering.

This is why memories in the middle of the night can’t be assuaged by TV. The sadness of others carries us. From moment to moment I get down on my knees and touch the ground with my hands. If forgiveness isn’t possible at least I can tap some Morse Code. Dear defenseless dead, do your teeth still chatter? Dear Bear…

Aunt History is steady in all seasons…

Aunt History is steady in all seasons
In all times of day
She has no favorite moment
Like Pirandello
Half the time
She doesn’t know
Who she is
In the modern world
This is called sanity
When she climbs a tree
She’s also
Under the roots
When winter comes
The baby birds
Are still eating worms
It takes great energy
To live this way
Without mirrors
Or wristwatches
No need
For opera glasses
Equanimity
A pure aesthetics
In her journal she writes
“I was something
If I was I”

                                                                                   `            

Aunt History at the Bus Stop

Confutatis, meet Lacrymosa–two sleepy maestros
Sitting on a bench–until now they were strangers
Aunt History delights at being a matchmaker
What’s next, she thinks—Blind Lemon
Meet Leadbelly; Confucius
Meet cinnamon; Catherine
Here’s Diderot; Schiller-Goethe…
When she gets tired
Of Greyhound metempsychosis
She walks around the corner
To the dirty magazine shop
Desire meet the dollar
She can live
In the present
But she favors the desperate
The little lost lambs
As long as they have something
To say—as long as
They mumble

Micro Memoir, Again

Micro Memoir, Again

I fell out of a tree in 1955. Entered the world like a cicada. There’s a chain of coffee places in New York City called “Pan Quotidien” which we are supposed to imagine means “customary bread”–but I generally hear it as “ordinary pain” which brings me back to the cicada. He walks around and then gets eaten. Once when I was in college I asked an entomologist why insect scholars aren’t more philosophical. He said that science is exact. Which I still take to mean “being eaten is being eaten” and that’s that. You see, there’s no meaning in being eaten. And in Manhattan across the street from “Pan Quotidien” is a Methodist Church. For those who hope being eaten means something. I fell out of a tree. Talk a lot. Make a clatter with my wings. That’s it.

The blood of never mind…

By now you and I have read everything there is about Donald Trump. On the one hand reading about him is a guilty pleasure. But the other hand is a pirate’s hook. No matter how much you understand the nature of his Christo-fascism, his fealty to Peter Thiel, his deep animus toward what, for lack of a better phrase we’ll call the adult world, his seizing of American political corruption for his own ends, finally one has to admit that he’s just a detestable fool and while we’re paying attention to him we’re not seeing the man behind the curtain as in the Wizard of Oz. That man is a thousand men, each possessing untold wealth, and owning beside yachts and private airplanes, all three branches of the United States government. “Why won’t Congress do its job?” Because its owned by the oligarchs who owe everything to John Robert’s and the Supreme Court. Can anyone say “Citizens United?”

Here in upstate New York where I live I notice each morning how few song birds there are. It’s a shiver, a Rachel Carson shiver. The oligarchs are burning down the planet and Dumpty Trumpty is rage posting about whatever hot red herring hits him over the head at 2 AM. Meanwhile, the butter sculpture Prez goes on and on fucking everything up—scientific research, disease protection, environmental protections, international relations, the list is too long for my challenged typing skills. I don’t know about you but I get up in the morning and the immense moldy circus tent of contemporary politics falls on me. This is before I’ve checked the news.

I’ve spent my life fighting against congenital blindness and depression. In some regards this gives me a scoured advantage—one can think of me as pre-stressed furniture. There are tens of millions of us and perhaps, just maybe we can vote the bums out. But the oligarchs have a serious plan to stop this. ICE agents at polling stations, draconian voter registration requirements, jerrymandered districts. Dear John Robert’s: I don’t want to hear you whining about how the public says your Supreme Court is political. We all know who’s stuffing your coffers.

What precisely do the oligarchs think they’ll do when the country has been destroyed at last? I suspect they think their minds will be uploaded to eomputers which will run on the blood of the…oh never mind…never mind…

And the years come close around me…

And the years come close around me
Like a crowd—spruce limbs
Wave beyond my window
I’m not myself—
I say “let it go”
Child, young man
All his mistakes
Crying alone
Tree wind helps
A cup of mushroom tea
A song my mother loved
Steep rain
Three gold apples
Hanging
From a dying tree
My friends
Who are disabled
Are struggling—
One can’t find an accessible home
Another can’t get a steady job
Though he has a doctorate
Still another can’t keep his car running
So he can teach part time.
The day is substantially dark
Who am I?
Who are we?

Uncle History Smells Something in the Weeds

“I smell something in the weeds”
Sez Uncle History
“It ain’t death
But death adjacent”
Stink
Of rotting books
Or an old man’s
Hairpiece
He thinks
And patting
His pocket
He finds
He’s lost his ticket
To the underworld
He’s carried it for
A thousand years
He’s even
Touched it to his lips—
(Revenant smooch
Charon’s gift)
“Oh well” he thinks
“Whoever finds it
Will discover
The first day of death
Is the hardest”

Uncle History in the Nursery

Ah those early days beside the fire

Uncle History being read to

By his father (who wears 

A toga-like affair

And scratches himself

Since with clothing

Came bed bugs)

“Gilgamesh” 

“Enkidu and the netherworld”

Lost objects

Tears in the afterlife

Trials in this one

Heroism unrewarded

All adventures

Meaningless 

“Isn’t it lovely,”

Says his father

(Who looks like Karl Marx

In a serape)

“To think 

How you’ll

Keep track 

Of this tale

As it unfolds

Forever?”

Uncle barely remembers

As he was playing

With his Sumerian legos—

Puzzle pieces

That cast no shadows 

“Come on along,” Uncle History says…

“Come on along,” Uncle History says
Channeling Robert Frost—
You come too…
But then he forgets his way
(Looking backwards
Will do this to you)
Crustacean travel
You might call it
And its easy to fall down
As the ancestors
Left stumbling blocks
And its easy
To forget
Where you started
Lost among the mud colored houses
At dusk
“Where did I begin?”
“Whose path is this?”
“Yes I’m talking to myself”
The self-behind me
This last minute affair
Of nostalgia
And fear
On the barren tracts
Where a forest once stood
Just outside the city

Aunt History Like any mystic…

Like any mystic
Aunt History
Can be anywhere
The Levant
Mesopotamia
Peru, Pittsburgh
She knows
All the dances
The local lingos…
Of what’s unknown
Like Newton
She sees
How the brief life
Waves as darkness comes
And tiny transparent
Flying specks of faith
Fall into our hair
Its the same
Town to town
Epoch to epoch
Mazda to Mary
Worldwide
All the sad night long